"Pxrnpics" constitutes a long-term artistic inquiry that unfolds at the intersection between pornography, visual culture, and contemporary sexuality. Initiated in 2013 with a series of prints that engage with classical iconography—particularly with Sandro Botticelli's "The Birth of Venus"—the project has undergone a conceptual and aesthetic metamorphosis over the course of a decade.

In its early stages, the work focused on the figure of porn actress Krystal Boyd, known as "Anjelica," and manifested in a series of prints and paintings that explored the aesthetics of desire and sexuality. These initial forays established an intertextual dialogue with the artistic canon, subverting and recontextualizing masterpieces of classical art within the framework of contemporary pornography.

With the artist's relocation to Mexico City in 2016, the project experienced a transition to new media and formats. Adapting to a smaller studio space, the work diversified to include letter-sized drawings that employ lines reminiscent of topographic maps to outline the contours of bodies. These works, titled with the names of pornographic videos, challenge the Eurocentric and patriarchal aesthetic that predominates in contemporary pornography.

In its most recent phase, "Pxrnpics" has evolved into a deeper reflection on the technological mediation of sexuality and desire. The latest works, such as "Screenshot 202302021931 (YJ)," incorporate third-party participation, inviting them to share their favorite videos. This gesture expands the scope of the project to include a multiplicity of perspectives and experiences and underscores the collaborative and dialogic nature of the work.

Most significantly, the project has reached a turning point where painting becomes a distant medium, similar to the relationship between an internet user and a video on screen. In this sense, "Pxrnpics" transcends mere technical reproduction to become a space for introspection and critical questioning. The work invites the viewer to explore the inherent tension between immediate visual arousal and critical reflection, questioning how technology and digital mediation shape our understanding and experience of sexuality in the contemporary era.